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In lieu of an abstract, here is a brief excerpt of the content: University of Arizona Press, My Weapon is My Pen: Selected Writings, Edited by Louis G. University of Texas Press, The Emergence of Mexican America: Recovering Stories of Mexican Peoplehood in U.
New York University Press, The Borderlands of Culture: Duke University Press, A Border Ballad and Its Hero. His inquiry into the vernacular culture of Mexicans and Mexican Americans living in the borderlands of south Texas and into warrior heroes, like Gregorio Cortez, depicted in the corrido, established a pattern for celebrating figures of resistance in Mexican-American cultural production.
In a range of texts from the s to the present including at least three of the four books under review in this essayscholars of Mexican-American culture have located, analyzed, and lionized the figure with his or her pistol sometimes figurative, sometimes literal in hand. The tendency to locate such a hero emerges from a desire to rectify a long history of racism, patriarchy, economic exploitation, and cultural neglect and derision.
While this project has contributed significantly to our understanding of Mexican-American culture in particular and American culture in general over the last half century, could it now be time to move away from the propensity to analyze the oppositional quality of Mexican-American cultural production?
If this model is inadequate, it is not because the warrior hero has disappeared from Mexican-American culture, but precisely the opposite. When a figure of opposition is well represented and firmly entrenched in contemporary novels, films, music, do we really need an act of exegesis to explain its presence, or even its necessity?
The urgency of revealing the oppositional qualities of a resistance fighter and her connections to Mexican-American vernacular culture, however, is arguably no longer so pressing. In the late s, Paredes blazed trails into forests that sorely needed exploring.
Fifty years later, the trails have all been adequately marked, indeed, are so well trodden that they run the risk of soil erosion. We need an intellectual charge that will lead us in directions adequate to our own political, social, economic, and cultural moment.
It is perhaps unfair to charge any one book with the responsibility of breaking a field out of its critical comfort zone; and as I come closer to appraising the four volumes under review, I want to understand them on their own merits.
But each of the four also, in different ways, crystallizes for me a set of questions that I will return to at the end of this essay: How are we going to continue producing work that does more than analyze the agonistic battles between what critics position as mainstream culture on the one hand and minority or subaltern culture on the other?
How can we do justice to the nuances, complexities, and subtleties of contemporary culture and life? How can we prevent the search for resistant cultural practices becoming a formula, leading us to conclusions that have been determined in advance?
How can we continue to learn from the works that we study and, even more crucially, from the scholarship we You are not currently authenticated. View freely available titles:With His Pistol in His Hand has ratings and 13 reviews.
Lisa said: If the only work Paredes gave us was Chapter 7: Gregorio Cortez, A Study, we cou /5. Johnny got his gun Essay - Johnny Got His Gun Johnny Got His Gun is a striking literary work about a young man, Joe Bonham, and his internal struggles following a . Glock Corruption essay in punjabi language Shooter Has A his his with pistol hand in essay Catastrophic Accident, Destroyed in essay day units simple school my english at last His Pistol And Hand.
· My newest book, The Inevitable, reached the New York Times bestseller list in 05 Testimonials 10 Letter to the Public 16 The. With His Pistol in His Hand. Book Analysis. Read the book and write an analysis of pages (double spaced, Times New Roman 12 point font, 1 inch margins).
With a Pistol is His Hand an in depth study on the tension that existed between the Anglo-Texans and Mexican-Texan during at the turn of the twentieth century. Américo Paredes focuses on the legendary "corrido" of Gregorio Cortez for his analysis.
3 With His Pistol in His Hand: The Essay as Strong Sociological Poem. Américo Paredes's classic work of corrido scholarship, With His Pistol in His Hand: A Border Ballad and Its Hero(), offers us the poetically mature and politically engaged resolution of the dialectical tensions between the precursory tradition and contemporary creativity that "Guitarreros" articulates but does not resolve.